It's late summer, 1972, up in California's redwood forests. They seem a "safe and wondrous place," but some of Evergreen's population is growing pot up in the trees and others are bent on stealing it. Then there's the coming folk festival, a jamboree bringing in musicians, fans, war protestors--a ferment of flower power (the local hippies), raw power (the local biker gangs, notably the Cossacks), and the power of the law (local and federal). Skirting the edges are shades of the Manson Family and the Mexican Mafia.

Clifford Hickey, scheduled to perform a guitar gig at the festival before trucking off to law school, arrives at his brother Alvaro's peaceful woodland campsite. And within moments Alvaro, combat trained, is faced with six armed men in badges crashing the camp, and runs. Clifford, surprised, is arrested and brutally cuffed, so brutally he fears for his hands. He then learns that a young man, one of the sheriffs' nephews, has just been murdered. Alvaro is the posse's quarry.

So here's Clifford, on the brink of adult life, pitched into not just a murder but what develops into a duel between the Hickeys--for his father and mother soon drive up--and the law, between the Hickeys and the Cossacks--who seemingly have their own agenda for Alvaro and, between the Hickeys and the locals, and finally between the Hickeys and their own past.
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Set in 1972, Kuhlken's fourth mystery to feature the endearing Hickey clan (after 1994'sThe Angel Gang ) follows 22-year-old Clifford Hickey, an aspiring folk singer, as he takes one last stab at a music career before heading to USC law school at the urging of his father, former cop and PI Tom Hickey, the eccentric protagonist of the first three books in the series. Clifford plans to perform at a jamboree in Evergreen, a small town in California redwood country, but shortly after he arrives at his half-brother Alvaro's camp in the woods, the cops storm the site. Alvaro escapes, but Clifford is taken into custody. Later, Alvaro is charged with the murder of a sheriff's nephew, and Clifford must try to prove his brother's innocence in a town filled with vengeful bikers, suspicious locals, crooked cops, rogue federal agents and pot-growing hippies. Kuhlken brings the social and cultural scene of the period vividly to life.(Nov.)

Publishers Weekly

I suppose that at one level, The Do-Re-Mi exists in a space that might be described as “James Crumley meets Roger L. Simon.” But along with the interplay between the characters, the poignant comments and the laugh-out-loud one-liners, The Do-Re-Mi contains more than a trace of the bitter aftertaste that the Summer of Love and the promise of the 1960s not only failed to pan out, but left America in the throes of the confusion and paranoia of the 70s.

Stephen Miller, Chosen as a best book of 2006, by January Magazine